first in a series of flashbacks, or notes taken and left in the attic waiting to be posted.
... you will two years after the starting point ... said Guccini.
Last night the ritual was repeated.
Same reason, same room, same combination of "events" and ongoing work to complicate access, but something has changed.
Synopsis: Part
a pretext of the new film Guzzanti, a lobsterman contact Sabina Guzzanti to raise awareness about the depopulation of the sea in western Sardinia. Not initially interested, the actress is excited when he discovers the past of the Fiat factory worker and trade unionist of the fisherman. Not only that, but put on a show to attract the attention of the media on the lobster could be an opportunity to reunite the band of Avanzi after 15 years.
And yet you do not know if true You are
or image mirrors doubled;
in the days that you seek, however, the image
dreams sown ...
Everything starts from the leftovers from alleged survivors of a satirical television now far from the current schedule. Certainly the premise, along with the title, is not very helpful against chronic laziness and chair of the viewer to change the screen for one night. Only a few succeed and those few will be rewarded ... (I tell you ... you know, I was too bi (b) lic of the sacred and profane, but it's a movie to watch the movies. It 's a film that needs a stage, auditorium and curtain, the magic the theater of representation.)
Since the first jokes one realizes that it will be one of the classic theater that for a while 'for years now flock to the cinema "committed" and libraries.
The pretext is put on a show to attract media attention on the problem of depopulation of the lobsters in Sardinia. Soon, however, the camera focuses on behind the scenes and the story seems to intrude generously in a hypothetical extra DVD. The plot continues
minute lead through multiple levels, offering many interpretations. "Nevertheless," one of Guzzanti remains a work in half meta-cinema, theater, meta-, meta-satire, half political, half-activism.
It seems simplistic to describe the core with the usual indifference of "generation who believe that change the world and the world, like everyone, was very crushed.
There is room for feeling, for the life stories of comrades Sabina, for their failures, their fears and doubts, but all this takes on a claustrophobic. The director refuses to be caged by the taste of lost time. The melancholy mood fades leaving room for the laughter, the desire to amuse and entertain.
Probably all these words are nothing more than meaningless chatter and the Dove is the only one who really understood us something.
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